Reviews

He paints with a bravura technique and uses its seductions to disarm viewers who disdain so-called “retinal” art.

For the past three decades Kaneko has occupied the top rung of ceramic sculpture.

Fraser’s installation shows light behaving in ways foreign to everyday perception. Mikko Lautamo reports.

Spiky, bulbous, dumb, and perverse, Ortbal’s sculptures point to the collapse of the distinction between nature and culture.

Eleven media artists look at the post-9/11 national security state. Mark Van Proyen reports.

An exhibition of photo-based, mixed media works show the iconic artist innovating right up to the end of her life.

Deiana’s drawings and installations blur the distinction between handmade and digital.

Using a pastiche of historical styles Maria’s seriocomic works pit man-made maladies against cataclysmic natural forces

Hayes builds a visual language that is rooted in the past, but utterly unique. David M. Roth reports.

De Staebler’s work probes the eternal tension between spiritual aspirations and the sagging fault lines of our mortal experience.

“An opportunity to…. wander through a modern-day experience of the sublime,” writes Maria Porges.

With video projected onto paintings, Kremer creates hybrids that feel animate.

Using the language of hard-edge painting and architectural space, Morrison proves there’s more to be squeezed from Minimalism.

An exhibition of Turner’s late works captures the precise moment at which the radical subjectivity of Romanticism pivoted to Modernism. Mark Van Proyen reports.

Part 2 of Mark Van Proyen’s review.

Okwui Enwezor’s Biennale gestures toward a world in crisis. Mark Van Proyen reports.