Cold-War recast in elegant bronze sculptures. David M. Roth reviews.
Reviews
Patricia Piccinini’s Transgenic Fantasies
What is beauty? Ugliness? Selby Sohn probes the questions.
Best of 2022
Editor’s top picks from a banner year.
Mark Van Proyen on Joan Brown
SFMOMA charts an artist’s journey from Bay Area figuration to self-mythologizing superstar.
Revolution Redux: Marco Castillo’s ‘Parlor Games’
Castro-era aesthetic signifiers revisited. Kristen Wawruck reviews.
Cassandra Calling
Dean Byington pictures the ‘post-human’ condition. David M. Roth reports.
Drum Listens to Heart @ CCA Wattis
A 3-part exhibition at CCA Wattis explores the world of rhythm. David M. Roth reports.
A ‘Miscellany of Things’ That Cohere
A couple’s aesthetic research becomes serious fun. Renny Pritikin reviews.
A ‘Rich, Deep Vein of Black Culture’ @ Bedford
A trove of early to mid-20th century prints. Renny Pritikin reviews.
Color Code @ McEvoy
Shrewd juxtapositions ignite fresh dialog about color. Mark Van Proyen reports.
Warped Grids, Fugitive Forms: the Painting of Jutta Haeckel
German artist delivers invigorating new approach. David M. Roth reports.
Will We Miss When the Algorithms Were ‘Bad’?
Photos selected by (and subjected to) AI yield unpredictable results. Selby Sohn reports.
Time Traveling with Mildred Howard
Iconic Bay Area artist revisits and reflects on her past. Renny Pritikin reviews.
The Many Faces of Julia Couzens
Ninety-nine drawings show an artist engaged in rigorous self-examination. David M. Roth reviews.
Uncovering Alice Rahon
Hidden gems from a Surrealist master. Mark Van Proyen reviews.
Crown Point Press at 60
Outstanding prints from Crown Point’s archive mark a milestone for an SF institution. David M. Roth reports.